Worldview Manipulation Therapy

Ice House, Phoenix, Arizona, 2009


Worldview Manipulation Therapy draws upon the ephemeral, transformative and esoteric aspects of tribal ceremonies that are central to the Indigenous worldview as a means to examine contemporary, postcolonial tensions driven by globalization, neoliberalism and cultural chauvinism. The exhibition examined these tensions as they are manifested internally, among tribal communities, and externally, as clashes of worldview between Indigenous communities and Western entities.


The new series of installations featured in the exhibition, produced collaboratively by the Postcommodity artists, range from large-scale, mixed-media work to immersive environments of video, light and sound. The exhibition spans more than 10,000 feet of floor space, and represents the collective’s most ambitious work to date.


Worldview Manipulation Therapy demonstrates the relevancy of Indigenous expression within the larger sphere of contemporary art, and provides an important statement of Indigenous cultural self-determination.

Worldview Manipulation Therapy

Multimedia Installation (2 channel video, sound, coal, salt, river rock).

Dimensions: video projections,12’ x 8’; Floor,16‘ in diameter

Worldview Manipulation Therapy




Multimedia sound installation, infinite loop

Worldview Manipulation Therapy




Mixedmedia Installation (Noise generator, amplifier, smoke machine, light, canvas, black acrylic, paint, coal dust)

Worldview Manipulation Therapy




Single channel video installation with sound

Worldview Manipulation Therapy




Detail of floor installation

Worldview Manipulation Therapy

multimedia installation, Ice House, Phoenix Arizona. 2009

POSTCOMMODITY